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Visit the traditional villages of our area
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the history of our land
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ROUTES AND TOURS
Trekking
A pleasant walk
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Discover a pleasing landscape
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WHERE TO EAT
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Spend an evening with joy
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Brief description of emotional
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Agritourism
A traditional holiday and waiting to be discovered ..
Rooms
On holiday like at home ..
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Simplicity, authenticity and human contact ..
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For those seeking a holiday in peace and quiet without renouncing the comforts ..
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SPARE TIME
Spa & Wellness
For a relaxing day
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SURROUNDINGS

Chianti Senese
Castellina in Chianti, Castelnuovo Berardenga, Gaiole in Chianti, Radda in Chianti
Lauretana Senese
Asciano, Cortona, Montepulciano, Siena, Sinalunga, Torrita di Siena
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Siena
Val d'Elsa Senese
Casole d'Elsa, Colle di Val d'Elsa, Monteriggioni, Poggibonsi, San Gimignano
Val d'Orcia Senese
Abbadia San Salvatore, Castiglione d'Orcia, Montalcino, Piancastagnaio, Pienza, Radicofani, San Quirico d'Orcia
Val di Chiana Aretina
Castiglion Fiorentino, Civitella in Val di Chiana, Cortona, Foiano, Lucignano, Marciano, Monte San Savino
Val di Chiana Senese
Cetona, Chianciano Terme, Chiusi, Montepulciano, Pienza, San Casciano dei Bagni, Sarteano, Sinalunga, Torrita di Siena, Trequanda
Val di Merse e Montagnola
Chiusdino, Monticiano, Murlo, Radicondoli, Sovicille

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Chiesa della Compagnia del Corpus Domini Rapolano Terme

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Chiesa della Compagnia del Corpus Domini

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The church of the Corpus Christi( more properly, church of the Corpus Christi’s Confraternity, also known as Church of the Confraternity) is a sacred building in Rapolano Terme. The front is plain with a simple portal in travertine and lunette-window. On the right wall, a sixteenth-century-fresco, referable to the studio of Girolamo di Benvenuto, with the Madonna with Christ Child and the Saints Giovanni Battista and Girolamo. On the same wall it has been built a frame in “pietra serena” of Renaissance style which held a relief of the Madonna with Christ Child, disappeared for quite a time. The high altar in stucco holds the Last Supper, an eighteenth-century-copy of a painting by Pieter Paul Rubens. Of great importance is the seventeenth-century-altar, decorated on sides with two statues in stucco, the Virgin Mary and the Announcing Angel and, in the middle, the Madonna of the Rosary, by Francesco Bartalini; at the bottom, there are the Fifteenth Mysteries of the Rosary, painted on tablet by the same artist.